Crucially, MTA-enabled audio will now recognise multiple tempo changes. Enable this setting and the audio clip will adapt to the tempo of the song. As soon as you import any audio into a project, transient detection is carried out in the background. MIDI objects would recognise and follow tempo markers, but the audio was left unaffected, therefore making these tempo-changing features less than useful. This was particularly noticeable if you were utilising tempo changes within an arrangement. Something I felt was lacking in previous versions of Samplitude was the ability to detect and adapt the tempo of audio beyond the base tempo of the project. There is also a drop-down menu at the bottom left where you can switch between different saved UI settings.
You can also open existing projects or load wave files. You can access your templates and last-opened projects from this window, also create new multitrack projects and pre-name the takes for this new project. This dialogue will open by default when you launch Samplitude. One small enhancement will be apparent straight away: the start dialogue window has been given a graphical makeover and adds improved coherence when starting a new project.
Since then the program has developed steadily over the years whilst retaining the amazing audio engine that is its core strength. With clever new tempo-mapping features and low-level Melodyne integration, time and pitch are now putty in the hands of Samplitude users! I came on board with Samplitude v8 in, impressed by the newly implemented MIDI drum editor, which remains one of my favourite features along with the still unrivalled Object Editor.
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